Wednesday 11 September 2024 at 0:00h

Tropentag 2024

BOKU University, Vienna, Austria

To celebrate the International Year of Camelids 2024, the Perspectives on Pastoralism Film Festival presents short films on camelids camels, dromedaries, alpacas, llamas, vicunas and guanacos in tropical areas of Africa, Asia and the Andes.

These documentary films seek to deepen understanding of how pastoralist communities gain their livelihoods in dryland and mountainous areas from mobile systems of camelid husbandry. They show the close relationships of the pastoralist men, women and childr

en with their livestock and environment, and how they contribute to sustainable land management through ecologically appropriate use of the resources with well-adapted animals. The films depict camelid husbandry, breeding and trade. They reveal the economic challenges faced by camelid-keepers, especially in gaining fair prices for their products, and the initiatives that pastoralists are taking to improve the local economy and community wellbeing.

After the films will be a discussion with filmmaker Sarah Lunaček and other researchers and practitioners in camelid pastoralism.

Full Programme

Films

GLOBAL, 2023, 1:18 MIN

INTERNATIONAL YEAR OF CAMELIDS (2024)

FAO

This very short introductory film for the International Year of Camelids (IYC) shows different types of
camelids kept in various environments and cultures. It explains how camelids contribute to food security,
nutrition, local livelihoods and the wider economy while having a strong cultural and social significance for
communities in the Andean highlands and in the drylands of Africa and Asia. The IYC seeks to raise
awareness of the role of camelids in building resilience to climate change.

Watch the film here

Argentina, 2019, 6:47 Min

Caravanas de las alturas (Caravans of the heights)

BIBIANA VILÁ

This documentary is composed of beautiful and informative photos with commentary on a disappearing aspect of camelid culture: the caravans in the Andes that used to connect people from the highlands and lowlands, transporting llama fleece from Bolivia to Argentina to trade for food, medicines and other purchased products. It shows a several-day trip to Santa Catalina in Jujay, with stops for water from rivers or ponds and grazing.

Watch the film here

Peru, 2022, 26 min

LIVING WITH ALPACAS IN THE PERUVIAN ANDES

MARK MICHEL / NEUE CELLULOID FABRIK

Alpaca-keepers make efficient use of marginal lands in high-altitude areas (5000 masl) in the Andes. Depicted largely from the herders’ perspective, this documentary highlights the advantages of keeping alpacas over hoofed livestock like sheep and cattle in this region. It shows the roles and functions of alpacas for the local community, the close bonds between the people and their animals, and how the communities have further developed their livestock-keeping system in response to climate change.

More info

INDIA, 2017, 9 min

THE KUMBHALGARH RAIKA STORY

LOKHIT PASHU PALAK SANSTHAN

Raika pastoralists have been herding camels in Rajasthan for centuries, but their traditional way of life is now under threat. A German-led non-governmental organisation that was set up to advocate for the Raika’s rights collaborated with them in starting a commercial dairy for camel milk to help the Raika sustain
their livelihood.

Watch the film here

India, 2023, 9 min

THE MOVE

PINAR EKINCI

In Gujarat, the filmmaker observes the daily life of Rabari pastoralists living in the desert of western India. Spending time with three families, she is fascinated by how they are connected to their land and animals. While seeing how the Rabari women move their households, families and camels from one site to the next,
she questions what home means to her while moving around the world. As narrator, the filmmaker is concerned with her own search for home – a personal and poetic reflection on mobility.

Watch the film here

IRAN, 2023, 6 min

OLD CRAFTSMEN

MOHSEN SIAHRIZI

This very focused film – much of it in slow motion – with detailed description of making a camel saddle and packing a camel, is narrated by the elderly saddle-maker himself. It shows the skills of the saddle-maker and his pride in the beauty of the saddle and the camel. The film reveals that these handicraft skills still
exist today – among older people.

More info

Turkey, 2022, 12 min

The Last of Their Kind – Turkey’s Nomads

Nevin Sungur & Gunnar Köhne / DW

Transhumant nomads in Turkey spend winter on the Mediterranean coastal plains and, in spring, move with their goats into the Taurus Mountains. However, the government, the military and landowners are constantly placing new obstacles in their path. The 63-year-old woman Pervin Savran leads the nomads’ fight for their rights to continue their traditional herding system and lifestyle.

Watch the full film here

Niger, 2024, 33 MIN

TARLAMT: SALT CARAVAN TO BILMA

SARAH LUNAČEK

The Tuareg of Kel Ewey travelled yearly across the Tenere Desert to exchange millet for dates and buy salt in the Bilma oasis; they sold the salt in the south and bought millet. This film follows a camel caravan that walked 600 km to trade in Bilma. A valuable historical document, it shows the endurance needed by people and camels to traverse the desert. With an introductory text but no narrative, this fascinating ethnography shows everyday activities of people and animals  during the long journey.

 

Accompanying text by filmmaker Sarah Lunaček

For the Tuareg in northern Niger, the salt caravan combines the benefits of the salt trade and the camel’s annual grazing cycle. After wet-season grazing, the camels walk to the oases of Fachi and Bilma, 600 km to the east. They carry hay for their feed; the leather bags supporting the load contain millet. Some bags contain camel dung to use as fuel for cooking, together with wood collected on the way. In the oases, the Tuareg trade the millet for dates with local Kanuri people and buy salt from them. The Tuareg return to their home camps in Aïr, where the women keep the female camels and goats, and then take all the camels to better grazing – including crop residue – in the more humid south. The dung fertilises the millet fields of Hausa farmers for the next growing season. Selling salt and dates enables the Tuareg to buy millet for trade and to feed their families.

Camels drink before departure and after 15 days upon arrival in Bilma. At night, they eat the hay they are carrying; they are muzzled to prevent them from eating it during the day. Young camels are taken along to learn how to walk in single file, initially with no load, over long distances. The work during the caravan is hard for both people and animals. The loads of hay and especially salt are heavy. Loading must be done quickly because camels feel more comfortable when they walk, but complain when being loaded. We also see a traditional practice using hot ash to heal a camel’s bruise. In Bilma, the camels can rest while the people are trading and packing salt.

The trade was already becoming less profitable two decades ago, when this film was made, because trucks operated by Arab traders can transport salt faster and in larger quantities, lowering the price. With growing human population, cropping is spreading north into the pastures. Now, farmers rarely leave crop residue in the fields; they sell it or feed it to their own animals. The presence of terrorist groups also makes movement to the south very difficult. Only a few people continue the salt caravan.

In 2000, I was one of three Europeans who walked to Bilma together with 13 caravaners and 176 camels led by Madugu (leader) Mohamed Ally. We joined the herd of Al Hadji Alghabid, led by his son Ahmadan. Former caravaner Alhassane Haidara knew this family, made the contact and joined the caravan to help us.

I filmed in an ethnographic observational style: simply following what is happening, with no interference in action. No explanations are given in a voice-over; basic explanations are in the introductory text. This approach allows viewers to better immerse themselves in the film. I used a Digital 8 camera and edited the film to 4 hours in 2003. In 2024, for the International Year of Camelids, I shortened it to this 33-minute version focussed on the interactions between people and camels.

Watch the film here

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